Saturday, July 11, 2009

Reading to a Child



















I had forgotten how different reading to a child is from reading alone.  When I read alone, at night, in bed--my usual place to read--the words play out in my head; I seem to be hearing the author.  The bedside lamp is on, the rest of the room dark; I read until my eyes begin to close and the book slips from my hands.  I fumble for the light and manage to switch it off.  Then dark, sleep.

Yesterday I read to my four-year old grandson in his old bright sunny bedroom, where he used to sleep in a crib.  He chose Richard Scarry's "What People Do All day?" and we settled into the rocking chair.  Sometimes he would sit next to me, sometimes on the footstool.  The chair rocks, so does the footstool.  Sometimes he would lean against me.  I would read; my grandson would talk or ask a question; I would respond.  We read and talked our way through the book. Scarry's book is richly detailed, every page crowded with illustrations.  My grandson loved the mouse fireman, the bakery ovens in the shape of a loaf of bread, and the cut-away view of the sewer.  He wanted to discuss what each person did--farmer, fireman, plumber, sewer worker, carpenter, music teacher, writer, business person, etc., etc.  There was even a poet writing--where else?--in the top floor of a tower.  Scarry shows how paper is made, how a house is build, a farm run, a fire put out, a child rescued, tonsils removed, omitting the gore. 

We read for more than an hour, conversing.  When we came to the end, my grandson said, "That's the last page."  He put the book away, took my hand, and we went downstairs.  He said he wanted to go outside and collect "unusual things."  Obediently I followed him.  
   



Friday, July 10, 2009

Good & Bad

Does good cancel out bad?  I used to think not; I used to think they went on side by side, but I've changed my mind.  Yesterday a couple got on the red line at Kendall Square in Cambridge and sat across from me.  I noticed their hair: the exact same shade of toffee brown.  She wore no makeup; with her upturned nose and large brown eyes she didn't need any.  He was lanky and wore glasses.  When he took off his cap and ruffled up his hair, I could see him better: he was older than I had thought.  He took her hand; she turned away.  They were fighting; that is, he was fighting.  Each time she turned her head away from him, he took her by the chin and forced her to look at him, pleading, 'Look at me.' She was on the verge of tears.  He tweaked her nose.  He forced a kiss on her.  He grasped her hand and kept forcing her to look at him, but although he succeeded in moving her head, he could not compel her eyes.  She did not look at him.  I wish I had done something, but he was crazed, more and more insistent, his eyes narrowing behind his glasses.  What might I have done?  Emptied my purse on the subway floor, asked for his help in retrieving my things, and whispered to her, began singing, Unacceptable behavior, unacceptable behavior?  The truth is I was paralyzed, repelled, hardly believing what I saw.

In a few minutes they were gone and I was out of the subway.  Charles Street gleamed in bright sunshine; every dog looked newly washed.  I walked through the Public Gardens.  Will the memory of that couple rule my thoughts? I asked myself.  I was determined that it would not. A crowd gathered near a temporary fence.  Within the enclosure was a pair of swans, one nesting.  She moved only her neck, preening.  Farther on was a human couple: affectionate, laughing, watching the Swan Boats pass on the little pond.  Two young men played flute duets near the verdigris bridge.  I dropped quarters into the dark blue velvet-lined instrument case and went on across the Gardens, across Arlington Street, and down Newbury, turning back, returning along Commonwealth Avenue.  Soon I was back on Charles Street.  It was two o'clock; I was hungry.  I looked into the window of Bin 26, a wine bar; the place was empty.  Usually I don't go into empty restaurants, but this one had a serene appeal.  I took a table near the window and lunched on potato and leek soup and prosecco--all delicious, the bread too--and did not think about what I had seen on the subway.  If good can cancel bad, can bad cancel good?  I've decided not to let that happen.  How?  By increasing the good.  













     

Wednesday, July 8, 2009

Dahlia Ravikovitch

Few poets write successful political poems.  Dahlia Ravikovitch's famous "Hovering at a Low Altitude," the title poem of her collected works,  succeeds as a political and personal poem about the death of a Palestinian girl and the poet's engagement with and distance from the awful event:  "With a single hurling thrust one can hover/ and whirl about with the speed of the wind./ Can make a getaway and persuade myself:/ I haven't seen a thing./ And the little one, her eyes start from their sockets,/ her palate is dry as a potsherd, when a hard hand grasps her hair, gripping her/ without a shred of pity."

My favorites among Ravikovitch's poems combine the most ordinary details of everyday life with tender lyricism and self-acceptance:

Midnight Song 1970

Once again, as in years past,
the bedroom's a mess,
cigarette ashes knee deep,
clothes dropped in a heap, 
a pile of mail that I haven't read
and one warm bed.
There's a flu epidemic going around
and here I am, good and sick,
flat on my back.
This year
and in all the years to come,
I won't give up one tiny bird
that flutters about in my garden,
won't trade one tiny bird
for a hoopoe or a dove.
Another year will come
and once again, without fail,
my throat will be choking with love.

I love her deliberate stance against the grandly triumphant:

The Window

So what did I manage to do?
Me--for years I did nothing.
Just looked out the window.
Raindrops soaked into the lawn,
year in, year out.
That lawn was soft grass, high class.
Blackbirds strolled across it.
Later, tiny flowers blossomed, fine strings of beads,
most likely in spring.
Later tulips,
English daffodils,
snapdragons,
nothing special.
Me--I didn't do a thing.
Winter and summer revolved among blades of grass.
I slept as much as possible.
That window was as big as it needed to be.
Whatever was needed
I saw in that window.
 
Ravikovitch died in Tel Aviv, in 2005  at the age of sixty-eight.  Her collected poems, beautifully translated from the Hebrew by Chana Block and Chana Kronfeld, has recently been published.        







Tuesday, July 7, 2009

At Hills Pond















If the wind and the light are right, even the rocks seem to float.

Saturday, July 4, 2009

Saul Steinberg (1914-1999)



















The woman is so delightfully unreal in her very real bath.















The two Sauls: dapper and wittily dour.

Friday, July 3, 2009

Hills Pond: Reflections















There was enough bright light for the pond to pick up reflections.  I thought of Saul Steinberg's charming book, "Reflections and Shadows."  He believed that a reflection is often more intense than the orignial.  I wouldn't say the reflection is more intense, but rather more mysterious. But maybe "intense" and "mysterious" are the same thing.

When Steinberg saw reflections in water, "for fun" he would "throw a stone into the upside-down landscape, and seeing that the lower part moves," he would "almost expect the upper part to move too."  


Wednesday, July 1, 2009

Dickinson: "Pink, Lank and Warm"















How could I have overlooked this Emily Dickinson poem until now?  She calls it a dream poem. We'll be talking about Dickinson at the next meeting of my readers group.  I like the crisp, polite voice of this poem--the difference between her well-mannered diction and the creepy, horrifying subject.  "String" is good, too.  "Pink, lank and warm": almost unbearably sensitive. A merely Freudian interpretation would not do the poem justice.   

In Winter in my Room
I came upon a Worm --
Pink, lank and warm --
But as he was a worm
And worms presume
Not quite with him at home --
Secured him by a string
To something neighboring
And went along.

A Trifle afterward
A thing occurred
I'd not believe it if I heard
But state with creeping blood --
A snake with mottles rare
Surveyed my chamber floor
In feature as the worm before
But ringed with power --

The very string with which
I tied him -- too
When he was mean and new
That string was there --

I shrank -- "How fair you are"!
Propitiation's claw --
"Afraid," he hissed
"Of me"?
"No cordiality" --
He fathomed me --
Then to a Rhythm Slim
Secreted in his Form
As Patterns swim
Projected him.

That time I flew
Both eyes his way
Lest he pursue
Nor ever ceased to run
Till in a distant Town
Towns on from mine
I set me down
This was a dream.